Showing posts with label Brad Pitt. Show all posts
Showing posts with label Brad Pitt. Show all posts

Tuesday, January 07, 2014

Melissa Harris-Perry: Transracial Adoption = White Abduction of Non-White Children


Melissa Harris-Perry has a White parent. Non-white people with a White parent(s) are generally unable to accurately, honestly acknowledge the System of White Supremacy/White People. However, she is not White; she is a Victim of White Supremacy (Racism), and this report is in no way a condemnation of her.

Words, labels, and titles are used to convey power. Unfortunately, White Supremacists masterfully mold language to camouflage their domination of non-white people; Whites cleverly decree degrees and monikers to suggest that their non-white subordinates are commanders and chiefs. MSNBC’s popular weekend news segment might be named after and hosted by Melissa Harris-Perry, but she is most certainly not the most powerful person involved with the telecast. The 2014 debut episode offered a dramatic illustration.

On the December 28th, 2013 broadcast, Harris-Perry and her guests made wisecracks about 2012 Presidential candidate Mitt Romney (Racist Suspect) and his “adopted” black grandson. They snickered about a photograph depicting the lone pygmy negro swallowed by a White, Mormon phalanx, equated this to the Republican party’s actual non-white representation, and slipped in a Kanye West reference. Roughly, one hundred twenty seconds of tomfoolery.

White angst abounded. They demanded her pink slip. Branded her Racist! Called for her to be gang raped and killed. Oops, that was Zerlina Maxwell. Whites who’ve “adopted”/abducted black and non-white children chided her for even hinting that perhaps there is something incorrect about the new black being the White-adopted-black. Some hoped MSNBC would dismiss their third host of recent weeks. Harris-Perry tweeted an apology, but this wasn’t good enough; she was berated as insincere and self-centered. Whites exhorted the “tragic mulatto” to publicly grovel for White amnesty.

As Melissa Harris-Perry is not White, she - like the rest of us Victims of Racism - complied. The January 4th, 2014 show began with a whimper. Profuse mea culpas for Romney and Whites who’ve “adopted” (blindsided) non-white children. Our fiercest critics can sometimes be our best teachers.



Broadway's and Tinseltown’s finest got nothing on the theatrical prowess of aggrieved Whites when they demand contrition from a non-white person. See President Obama circa 2009. Dr. Henry Louis Gates was shackled in his residence for burglarizing his own house. The non-white “Commander and Chief” had the audacity to suggest that the White officer “acted stupidly” - reminded us of the prevalence of “racial profiling”. The immediate White brouhaha necessitated that the President publicly recalibrate his words and invite Sgt. James Crawley to the White House for a round of reconciliation brew. After the 2005 abominations of Hurricane Katrina, the breech of the levees, and White Terrorist Violence, Kanye West proposed that Pres. George W. Bush had no concern for black looters refugees citizens. During a 2010 interview with Matt Luaer (Racist Suspect), West was compelled to beg pardon for unfairly tarring the former president. More recently, Oprah Winfrey recalled an attempt to shop while black under the global System of White Supremacy. She proposed that Racism led the Swiss shopkeeper to conclude that Winfrey couldn’t afford the handbag. The global White Community lambasted Winfrey as a race-baiting, attention whore huckstering her new flick and forced her to retract her “absurd” accusation.

Whites are intolerant of non-white allegations, insinuations, or whispers of White abuse.
The Victim who is able to articulate the situation of the victim has ceased to be a victim: he or she has become a threat. - James Baldwin
The White retaliation to Harris-Perry’s innocuous prattle underscores the significance of Victims of Racism dissecting and discussing all aspects of Racism. The seething White criticism to a perceived knock on “transracial adoption”, should corroborate concerns that the White seizure of non-white children is a pivotal 21st century Racist strategy.

Hollywood has given gargantuan support to the idea of Whites invading non-white wombs, countries and continents under the guise of offering a better (white) life to children with melanin. Madonna, Brad Pitt and Angelina Jolie, Sandra Bullock, Charlize Theron, Jane Fonda, Tom Cruise, Hugh Jackman and a hoard of other White VIP Racist Suspects have fleeced non-white cradles across the globe. Common White foot soldiers have also colonized growing numbers of non-white children. Whites invest mightily in circulating the myth that they have non-whites’ best interest at heart. If this were true, they would contribute to the fortification of black and non-white families, so that no non-white child needs the charity of fertility-challenged Whites.

But this is not Mr. and Mrs. WARbucks offering a benevolent hand. "Transracial" theft is an act of White Supremacy/Racism. From Dorothy RobertsShattered Bonds: The Color of Child Welfare:
All of the literature advocating the elimination of racial considerations in child placements focuses on making it easier for white people to adopt Black children. For example, a leading book on the subject states that “in the case of transracial adoption the children are non-white and the adoptive parents are white.” Transracial adoption advocates don’t mention the possibility of Blacks adopting white children. Nor do they acknowledge most race-matching in adoption involves matching white adoptive parents with white children. Child welfare agencies routinely allow whites to choose the white foster children they prefer. Stanford law professor Richard Banks argues that it is this facilitation of whites’ preferences for white children - not barriers to transracial adoption - that is mainly responsible for low black adoption rates. White people’s demand for white children isn’t seen as a [Racist] claim, whereas the position that Black children belong with Black adoptive parents is. Although the end of race-matching was defended as serving the interests of Black foster children, it has helped to create a system that protects the rights of white adults to have access to the children of their choice. (pg. 167)
If “transracial adoption” featured the likes of Jesse Jackson, Al Sharpton, Cynthia McKinney and Kim Jong-un descending upon Appalachia to offer wretched, White urchins a leg up in life… Whites would also be using the phrase transracial abduction.
Ten [Whites] who tried to take 33 Haitian children out of the country last week without the government’s consent have been charged with child abduction and criminal conspiracy, as Haitian officials sought to reassert judicial control after the Jan. 12 [2010] earthquake.
If children are our future, Romney and his White brethren should not have our destiny in their lap.
Pretty in pink?
 
**Extra Credit:
1) Admitted Racist, Admitted Homosexual adopts black child from womb.
2) Black female adopted by two White lesbians.
3) When a black person adopts a White child.
4) Black female adopted by two Whites (Racist Suspects).
5) Black male adopted by Racist Suspects.
6) Haiti Statement by Adoptees of Color Roundtable.
7) Black female adopted by Whites (Racist Suspects).
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Monday, September 15, 2008

SNATCH

Mr. Josh Wickett - Victim of Racism - has written many constructive articles analyzing racism in motion pictures; check it out. Since I began reading his counter-racist film reviews, I began paying much closer attention to movies. As a rule... White Supremacy dominates the silver screen - and all other areas of people activity.

I now make an effort to ask White people about their favorite films. I began doing this about a year ago. I noted that many of White folks' favorite flicks are overtly racist - Pulp Fiction, Forrest Gump, The Godfather, Gone With The Wind. And I mean blatantly racist - the Ku Klux Klan will literally ride across the screen.

Recently, a White man recommended Snatch (2000). It's basically 2 hours of White people fighting with each other over an avocado-sized diamond. This could be part 2 of Blood Diamond; the non-white people butcher each other to collect the stones. The jewels are then moved to the area of the world known as Europe; now, the White people there will fight amongst themselves for the extracted gems.

While the White people deceive, fight and kill each other... they use non-whites as tools to accomplish their goals. The non-whites [pictured above] in this film are prototype victims. Confused, ill-informed, incompetent... silly, stupid, pitiful. They botch everything from robbing a booking house to parallel parking.

Their crowning jewel of blunders comes midway through the film. The three negro males attempt to mug The Man. As non-whites got meager resources, the negroes are reduced to purchasing replica firearms - with the hope that no one will notice. 3 black males armed with 2 faux pistols. The White man addresses his assailants - while sippin' a dark beer:
You're shrinking. And the fact that you've got "Replica" written on the side of your gun... and the fact that I've got "Desert Eagle .50" written on the side of mine, should precipitate your balls into shrinking along with your presence.
Exit VORS. Brilliant illustration of White Supremacy. The non-whites and their toy guns encounter a Suspected White Supremacist who is keeping it real. This scene is loaded with sexual metaphors. I kept hearing Dr. Welsing's voice - keep your eyes on the ball(s). With the gun as a phallic representation, the black males are emasculated when juxtaposed to the awesome force of the White man and his real, big cock.

Anywho, all ends well in this film. All the White people that you want to do well succeed. The White people you dislike die. And the non-white males are the only ones heading to jail - surprise.