Eric Garner: Breathing Racism

Listen to me standing up on this so-called mountain! Let me tell it as it truly was! His name was Tod Clifton and he was full of illusions. He thought he was a man when he was only Tod Clifton. He was shot for a simple mistake of judgment and he bled and his blood dried and shortly the crowd trampled out the stains. It was a normal mistake of which many are guilty: He thought he was a man and that men were not meant to be pushed around.

Perhaps it’s incongruent to borrow from Ralph Ellison’s Invisible Man to address the death of Eric Garner. He weighed more than 300 pounds and stood taller than six feet; reports mawkishly reference him as the gentle giant. 

But black people are not gentle. Certainly not to be treated gently. Especially not by officers of the law. 

White cops are afraid of black men. We don’t talk about it, we pretend it doesn’t exist, we claim “color blindness.” We say white officers treat black men the same way they treat white men. But that’s a lie. In fact, the bigger, the darker the black man the greater the fear. Yet, even though it’s a central, if not the defining ingredient in the makeup of police racism, white cops won’t admit it to themselves, or to others. Breaking Rank pg. 92

Those are the words of a White man, Norm Stamper. He’s the former Seattle Police Chief. It's his view that most Whites are aware of his conclusion. Whites cannot be ignorant about Racism (White Supremacy).

A significant portion of Whites claim that police brutality and Racism persist because most Whites are oblivious to this reality. This is a pernicious falsehood from which non-whites should expeditiously divest. Cliven Bundy and the hoards of lawbreaking, White ruffians who've defiantly obstructed Homeland Security employees' efforts to transport undocumented children understand that they will not be body-slammed, sodomized, tased or choked. Even when breaking federal law, they will not be treated like Eric Garner or Marlene Pinnock.

White people are not ignorant about Racism. It can be said that White Supremacy (Racism) is the rhythm to the White lifeforce. Rhythm Helps Your Time Have Meaning - thanks Dr. Gaunt. White infants begin inhaling White Supremacist codes, concepts, and behavior patterns before they have teeth. They're suckled and motivated from birth to burial to dominate and abuse the Eric Garner's of the universe. Waging war against non-white people - especially individuals classified as black - is at the core of every aspect of White culture.

White people just observed the 50 year anniversary of the NYPD's execution of 15-year-old James Powell in Harlem - nearly a half century to the day of Garner's slaying. The slaughter of this unarmed black child ignited six days of upheaval. The commemorations offered few syllables on Powell or his family, why he was killed, or his surviving relatives' reflections. The preponderance of attention focused on lawless black hooliganism, the destruction of White-owned property, and disregard for White law and order. Whites conducted interviews, drafted reports, and continue writing books on this mostly forgotten anecdote. A good deal of New York's 1964 White residents, White politicians, and White entrepreneurs, whom supported any means necessary to restore White order, are still alive. As are many of the White NYPD officers who clubbed, shot, and shackled black citizens. Fogies or not, they'll remember this incident and what it means to be White til their last breath. Whites were not clueless about Racism in 1964, nor are they now.

Generations of Whites have lauded Invisible Man and Spike Lee's Do The Right Thing – the latter marking it’s quarter century anniversary this summer. These works of fiction climax with the NYPD snuffing out black life. Tellingly, many Whites have given identical responses to the deaths of James Powell, Eric Garner, and Radio Raheem (Bill Nunn). Lee recently responded to White film critics:

They never talk about the death of Radio Raheem at the hands of the police. They talk about Mookie smashing the window and the pizzeria burning down. If in a review, a critic discussed how Sal's Famous was burned down but didn't mention anything about Radio Raheem getting killed, it was pretty obvious that he or she valued white-owned property more than the life of this young black hoodlum.

NYPD validated their pursuit of Garner with similar logic, similar (dis)regard for black life.

The cigarette seller and the police were far from strangers: the local officers had tangled with Mr. Garner time and time again, arresting him for selling untaxed cigarettes at a price far below what local deli owners could offer.

The New York Times cited local merchants who discontinued their sale of tobacco because unlawful street hawkers like Garner smothered their profit margins. Strangling is for black people, not White-controlled enterprise. 

Apparently, chokeholds aren’t the only thing in the manual.

For years, Mr. Garner chafed at the scrutiny by the police, which he considered harassment. In 2007, he filed a handwritten complaint in federal court accusing a police officer of conducting a cavity search of him on the street, “digging his fingers in my rectum in the middle of the street” while people passed by.

Abner Louima was supposed to be a teachable moment, a clarion decree that White officers desist from behaving life homoerotic barbarians with badges. It’s naive to think the lesson was not learned. To the contrary, Whites have advanced degrees in the science of Terrorizing black people.

The university of the world instructs White children, White Women and White Men that black people are not human beings, but rather, creatures worthy of sadistic cruelty. Arizona State University’s Dr. Ersula J. Ore was savagely reminded that her doctorate and masters degrees fail to protect her from White brutes with a remedial understanding of how Whites think of and treat black people. Big Apple residents young and old, White and non-white should recall a bevy names, extinguished non-white lives which illustrate this point. Reaching for a wallet. Celebrating a wedding. Tossing a football. Selling cigarettes.

As long as the System of White Supremacy exists, make room for the next name on that shirt of death. White dedication to  – not ignorance of – Racism demands that the ledger of slaughtered non-white lives expands infinitely.

Electing a White mayor with a black wife and non-white afro-sporting children will have the same impact as a departmental review of the officers responsible for Mr. Garner’s death. 

In 9 Cases of Police Chokeholds, Punishment Was Rare, Review Board Says

**Extra Credit** 

1.) Remorse - or the lack there of - speaks volume.

2.) Wouldn't want anyone to think this problem is exclusive to the United States.

The Interracial Con Game

"Sex is the principle around which the whole structure of [White Supremacy] . . . is organized."
- Gunnar Myrdal

If you do not understand White Supremacy/Racism – what it is and how it works – you’ll commit a variety of errors in all areas of people activity. Tragically, many of black people’s greatest missteps have happened in the dark, under covers. One of Racist Man and Racist Woman’s most lethal weapons has been Bedroom Integration/raping Victims of Racism - precision crafted sexual chaos. Evidence indicates that black people have not understood that hopping in bed with White people will not end Racism (White Supremacy); in fact, many White and non-white people continue to assert that diversified sleeping arrangements will solve this problem. Thankfully, some black people are attempting to expose this scam.

The authors of Trojan Horse: Death of A Dark Nation and Black Love Is A Revolutionary Act have dedicated their third installment to the 8^th area of people activity and MAXIMUM RACIST AGGRESSION. The Interracial Con Game provides analysis, history, logic and contemporary examples of why no black person should ever have their guard or pants down with White people.

This volume reminds us that the rape of black females and black males was routine during the Black Holocaust/slavery. Thomas Jefferson and the fondling fathers weren’t expressing affection and concern for their African property; they were demonstrating their pathological, sadistic, terroristic personality and exercising complete domination and contempt for life they regarded as sub-human. Perverted slaveholders often raped their black victims in front of other slaves – inflicting group trauma and helplessness that continues to afflict us.

As Slavery (White Supremacy) never ended, the sexual onslaught against black people has been uninterrupted and global. The Interracial Con Game illustrates the connection between the sexual exploitation that Harriet Jacobs, Sally Hemings and other slaves endured centuries ago, and the present-day sexual violations of Abner Louima, Nafissatou Diallo, Megan Williams, Coprez Coffie and untold others. The authors incriminate and call attention to White Women and White Men’s predatory habit of traveling great distances to seek destitute black and non-white people who can be taken advantage of sexually.

The Interracial Con Game dissects how White people capitalize on our White Supremacy induced deprivation and psychosis. White people know that our resources AND self-respect have been decimated. Our black womanhood and black manhood is not where it should be. Many of us hanker for nothing more than the attention and kind words of White people, our oppressors. We’ve yet to understand that our craving for White validation – soothing lotion – has made us dysfunctional, impotent in combating White Supremacy.

You can’t fight White Supremacy in the daytime, and then lie down with a White person at night.

This book pays special attention to the concurrent rise in negative imagery and reporting on black male and black female relationships alongside the omnipresent propaganda advocating that black people – especially black females – find White sexual mates. As opposed to contesting White Supremacy – which sabotages black families and relationships, best selling books and prime time television programs urge black females to expand their dating options – volunteer to be raped by a White Man (or White Woman). In unpleasant, honest language, The Interracial Con Game implores us to defy the campaign to turn black people into 21^st century belly warmers and Mandingos.

If you’ve grown nauseous seeing another pop-up advertisement for interracial romance, contained the urge to strangle a Sexually Sewered Victim who proclaims he/she doesn’t see color, are concerned about a child or loved one who’s pondering a pale face mate, or simply looking to learn more about the incorrect nature of “interracial relationships”, nab a copy of The Interracial Con Game. Help keep White Supremacists out of your family, your bedroom, your backseat.

Pulp Fiction... Gooks, Slopes, Niggers, Jules

... Catch a nigger by his toe.

Take your foot off the nigger...

...Cause storing dead niggers ain't my business.

This used to be one of my favorite films. I mean... I've seen it at least 30 times. I never flinched or thought twice about the use of the word nigger. In fact... my favorite scene was the third vignette, which centers around the storage of a dead nigger. The System of White Supremacy paralyzes non-whites' understanding; we end up experiencing and looking directly at Racist behavior, yet failing to recognize it.

What is the hardest thing of all? That which seems the easiest for your eyes to see, that which lies before your eyes. [Thanks to the Suspected Racist known as Michael Bradley.]

Hopefully this review will make it easier for Victims of White Supremacy too see the staggering amount of White Supremacy in Pulp Fiction.

Marsellus Wallace: You my nigga?
Butch Coolidge: It certainly appears so.

The White people who practice White Supremacy are MASTER DECEIVERS. Butch Coolidge (Bruce Willis) provides a demonstration. He "appears" to consent to throwing a fight and losing in the fifth round. But Butch is a White man. He's not Marsellus' or anyone else's nigga. Seeing that news of a rigged fight has impacted the gambling odds, Butch places enormous wagers on himself. He doesn't just refuse 2 lose, he beats his non-white opponent to death. How does Butch feel about swindling and murdering a non-white person?

Butch: I don't feel the least bit bad about it.

But he killed a man. Surely there has to be some remorse?

Butch: Fuck 'em! If he was a better boxer he'd still be alive.

But that was someone's son. Surely he had family, friends...

Butch: Who gives a fuck! Enough about the poor unfortunate [nigger].

I assume White people have the same lack of regard for non-white life on and off camera. The business of White Supremacy requires a total absence of conscience as it relates to non-white life. Killing one or 30 million non-whites is no big deal; just another day at the office.

The White Supremacist nature of Pulp Fiction intensifies throughout the film. The second act begins with casual references to "gooks" and "slopes"; it ends with Marsellus Wallace [Ving Rhames] being bound, gagged and anally raped by a Suspected Racist enforcement official.

(Pause for Abner Louima and those who say this don't happen in real life.)

Paying strict attention to every WORD, helps illuminate the intentions and motivations of White Supremacist films, books and/or people. Pulp Fiction begins with Jules Winnfield [Samuel L. Jackson] asking a White man "Does Marsellus Wallace look like a bitch," and why he "[tried] to fuck him like a bitch". A little under two hours into the film... Marsellus Wallace is being fucked like a bitch. {I think I've already posted on the consistent emasculation and castration of black males.}I hear the objections from those who say, Marsellus avenged his abuse. He popped a cap in the White man, promised to get medieval! Allow me to retort. Number one, If Marsellus Wallace had not been rescued by a different White man, he would have continued to take a pounding in the rear. Number two, this is extraordinarily unrealistic. I'm unaware of any Victim of White Supremacy being able to murder or squint hard at an enforcement official without repercussions. Non-whites being bludgeoned and sexually assaulted by "police officers" is a black ink fact. Vengeance for these acts is at most a rowdy N.W.A. cd.
Scene Three.

Nobody who'll be missed.

Let those four words rest on your skull like an anvil as I share my views on the final act. The White man known as Vincent Vega [John Travolta] blows a non-white male's head off - accidentally. No need for gun safety when the barrel is pointed at a nigger (nobody who'll be missed). Again, no heavy hearts or tears for a non-white life extinguished. Actually, this scene is pretty humorous; I remember finding it amusing (IT WAS MY FAVORITE SCENE OF THE FILM.) The fun and suspense of covertly disposing of a dead nigger... don't get more jovial than that.

Now you really gotta be focused to catch everything that's being expressed in the third vignette. The writer and director of the film has hopped in front of the camera. When I have shared this with Victims of White Supremacy, they have not immediately appreciated the symbolism of having the single person most responsible for the creation that is Pulp Fiction being center-stage for the dead nigger storage conflict.

And Quentin Tarantino isn't just grumpy about a dead nigger in his Southern California garage. He fears Bonnie - his lawfully wedded wife - will return before the dead nigger has been dumped. Oh wait... Bonnie is non-white. It has been my experience that most people have not caught that Tarantino's wife is not White; consequently, most folks have not pondered on the meaning of a White man being married to a black female while referencing a black male as a nigger. You should think about it.Take a second.

Most of this scene revolves around the labor of cleaning up messy Marvin.

You're the mother fucker should be on brain detail. We fuckin' switchin'. I'm washin' windows, and you pickin' up this nigger's skull.

Not to worry. No living or dead niggers have yet to pose a problem White people can't handle. The dead nigger is efficiently whisked away for a proper burial at "Monster Joe's Truck and Tow" junkyard. Nobody who'll be missed.

Discarding of the dead nigger known as Marvin was a brief conundrum. And Jules and Vincent did exactly what Victims of White Supremacy should do when life gives you a l'il more then you can handle. They request help. Specifically, they ask for "The Wolf".[Remus and Romulus... forgive my Isis Papers moment.]

I'm Winston Wolf, I solve problems.

Codified - to reduce to a collection of rules and regulations. Mr. Wolf illustrates how codification can efficiently obliterate the most precarious of predicaments. He has precise guidelines for how to clean and drive the vehicle, how to dispose of the of the bloodied clothes. He dictated exactly what should be done and in a manner that was easy to grasp. All statements and actions supported the objective of solving the problem without creating new problems. Impeccable demonstration. If only there were a Winston Wolf or 80, who were dedicated to solving the problem of White Supremacy.

Mr. Wolf - like any Refined Racist - is attentive to detail. When gathering information about Jules' and Vincent's dilemma, he makes sure to get the racial classifications of the folks involved. And earlier when a different White man is asked at gun point to describe Marsellus Wallace, his first response: He's black (not White). And during the diner heist at the culmination of the film, a Suspected White Supremacist demands that the "Mexicans"(non-whites) exit the kitchen. Race/Racism is a perpetual - perhaps the primary - feature in this flick.

I've spoke with a lot of White people about this movie. Not a one of them told me I was "playin' the Race Card" or misconstruing Tarantino's work. However, none of them said that Pulp Fiction is a disturbing and honest representation of the System of White Supremacy which terrorizes non-whites, is all the more discomforting because it presents unjust acts of Racism as humorous and is celebrated as a cinematic masterpiece - ranked as the 5th best film ever made on Internet Movie Database with over 340,000 votes. White people also don't say that one could correlate the adoration of Pulp Fiction with White Supremacists' dedication to and gratification in the practice of mauling non-whites.

Perhaps I ain't talked to the right White folks yet. The next time you encounter a Suspected White Supremacist whom indicates an affinity for Pulp Fiction, ask them a lot of questions. Then post their responses here.